An event marketing plan that fits on two pages
A usable event marketing plan answers five questions: who's coming, where do they already pay attention, what will we say, when, and what does each ticket cost to sell. Here's the structure — steal it.
1. Audience, defined till it's useful
'Everyone who likes music' plans nothing. '25–40s within 25 minutes who went to things like X' picks your channels for you. Write three sentences: who they are, where they hear about nights out, and what their alternatives cost — the last one sets your price ceiling too (see pricing).
2. Channels, ranked by evidence
| Channel | Best for | Cost |
|---|---|---|
| Own email list | Presale conversion — highest rate you'll see | Time |
| One primary social | Momentum and reach (IG under 35, FB over) | Time |
| Partner/act audiences | Borrowed trust — collab posts, venue lists | Assets you make for them |
| Free listings & groups | Local discovery at zero cost | An hour, quarterly |
| Paid social | Scaling proven demand — never creating it | £5–15/day, final fortnight |
3. The timeline
- T-6 weeks: announce + on-sale (list first, 24–48h early), early-bird urgency.
- T-5 to 2: one reason to care per week (lineup, story, collaborators). Silence is the campaign's commonest death.
- Final fortnight: paid retargeting on, momentum facts, practical content.
- Final 72h: last-release mechanics, 'know before you go', the door-price anchor working for you.
4. Budget and the only five metrics
- Budget: 10–15% of target gross all-in; most of it time — track time honestly or the plan lies.
- Metrics: tickets/week vs target, cost per ticket by channel, list growth, page conversion rate, advance-vs-door share. Everything else is dashboard theatre.
Questions people ask
What's a realistic cost per ticket sold?
Blended (paid + time priced), UK independents run £1–£4 per ticket. Above ~£5 the event concept, price or room is the problem — more marketing rarely fixes those.
Should the venue or the promoter run marketing?
Whoever owns the audience relationship — usually the promoter, with venue channels as multipliers. Decide explicitly; 'we both posted a bit' is how half-empty rooms happen.
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